The Early Years

To be rock 'n' roll survivors is an achievement. To be Europe's top live band, thirty years after its inception is truly fantastic but to still be enthusiastic, fresh, totally committed and in love with the music is a positive miracle. In some ways miraculous is an adjective that suits 'SMOKIE' down to the ground. The original members, Terry Uttley, Alan Silson and Chris Norman shared the playground together at St. Bedes Grammar School in Bradford, West Yorkshire. Their first musical incarnation being "The Yen" followed more swiftly by "The Sphynx". Terry remembers his contribution to both bands consisting of manual dexterity on a regular guitar minus two strings which served as his first bass, only to find that on the day he bought his first real guitar, the band fired him on schoolboy whim. Whilst Alan and Chris furthered their musical education, Terry became an apprentice printer but was finally lured into their newly named rock 'n' roll vehicle, "The Elizabethans". This particular band's major claims to fame include being sacked from Butlin's Holiday Camp after completing just one week of a summer season and being the first band to allow Radio One the dubious opportunity of running a competition to change their name yet again - this time to "Kindness". Equipped with their newly found radio sponsors, they quickly signed a recording deal with RCA and released a single "Light of Love". This was followed by a period of recording with Decca Records, incidentally signed up by the man who turned down the Beatles. All of this activity amounted to absolutely nothing. Late in 1973, bewildered by their lack of success, they eventually successfully auditioned as the backing band for the illustrious Peter Noone whose 'Hermits' had apparently hidden themselves away. A year's touring with Peter in the UK followed and it was then back to gigging around the North of England as they had done before. Whilst working at a gig in Cheshire one night, they met a man called Bill Hurley, who liked what he heard and offered to work with the band with a view to securing gigs for them a little further south than the Manchester Ship Canal. The work started to flow in at this point and one day Bill heard that the hot production team, Mike Chapman and Nicky Chinn were actively looking for a new band to sign to their Production Company. Bill pestered them to the death, he also organised the best 'cheapo, cheapo' demos they could communally afford and presented them to the great men. The great men were singularly unimpressed and turned the band down flat. In those days of supposed overnight success the young musicians were full of enthusiasm and fervour but they learnt along the way that surviving in a world of one-hit wonders and ever-changing musical fashion meant taking the knocks and battling on in pursuit of their musical goals and the only way to do that was by sheer hard work. Mr. Hurley is not a man to take 'you must be joking' for an answer, so with an awful lot of further persuasion and several live auditions, they eventually caved in and signed the band in 1974. Once production had started, Mike and Nicky signed a deal with Mickey Most for his RAK label.

The Hit Machine

The first public offering by the newly named band 'Smokie' was promptly banned by Radio One as they felt Pass It Around conjured up visions of extremely nasty drugs. It took quite a long period of time for the 'Smokie' hit machine to slip into gear. In fact the band were actually recording their second album for Chinn and Chapman in Paris when the news came through that their single If You Think You Know How To Love Me had started to sell well in the UK. It eventually peaked at No. 3 and went onto sell millions around the world. 'Smokie' consisting of Chris, Terry, Alan and Pete Spencer on drums spent the next 5 years touring the globe collecting Silver, Gold and Platinum discs almost everywhere they ventured with songs such as Don't Play Your Rock 'n' Roll To Me, Living Next Door To Alice and Oh Carol. The decision to finally call it a day happened typically for Smokie at 35,000 feet on a flight to Sweden to record with one of luscious ladies from Abba. No one could really remember the real reason for the decision "It just seemed to be the right thing to do at the time". Chris went off to pursue a solo career. Terry played with several bands including Peter Goalby (ex Trapeze), John Coughlan (ex Status Quo) and John Verity. Pete went back to song writing and Alan returned to Ilkley in West Yorkshire to await the phone call to summon him back to the band. Four years later, when the call finally came, Alan is quoted as saying "That was a nice long break". He is reputed to not have done too much in the period.


It was the local Yorkshire Musician John Verity who was responsible for the re-birth of 'Smokie' back in 1986. The Bradford City Football Club had just suffered one of the worst disasters in sporting history when the club's main stand caught fire during a match with considerable loss of life. A relief fund for relatives was set up in Bradford and because of their local connections, John Verity invited Smokie to reform for a one-off benefit concert. The concert was a huge success not only for the relief fund but also for Smokie personally. Three days after the concert, Chris Norman rang his old mates to ask the inevitable question "Shall we put Smokie back together again?" An affirmative answer saw our hero's back on the road, touring Germany, Austria and Switzerland, just as successfully as they had done before. They even ventured down under to 'Hogan' country. On the way back from 'Oz', once again, at 35,000 feet, Chris Norman dropped the bombshell that his solo career was now so successful, particularly in West Germany that he could no longer sustain his commitment to the band. Terry and Alan knew the new 'Smokie' could succeed, but how could it be done without Chris? Mr. Norman offered the solution; he had a friend called Alan Barton, who he rated highly as a lead singer. Terry and Alan were not so sure - Alan Barton's musical background was very different to that of 'Smokie' and in the end they said no. However, a few weeks later at Terry's house, Alan Barton was enjoying a small glass of Vimto when a jam session broke out and Mr Barton was called upon to duet with Chris Norman who happened also to be in attendance. What Alan and Terry saw that night instantly convinced them that Mr. Barton was precisely the man for the job and offered him the role of 'lead singer' on the spot. The line up that we knew were: Alan Barton - Lead Vocals/GuitarTerry Uttley - Vocals/Bass GuitarAlan Silson - Vocals/Lead GuitarMartin Bullard - Keyboards andSteve Pinnell - Drums/Percussion So the new 'Smokie' was born and after several irregular sidemen, they now have the line-up we got to know. The 1989 hit album, Boulevard of Broken Dreams went on to firmly establish the line-up which has taken Smokie from strength to strength. In Norway alone the album spent the majority of the year in the top ten album charts, staying at number 1 for a record of 10 weeks. The band toured continuously throughout the year working in Scandinavia, Germany, Austria, Eire and Australia, culminating in a sell-out tour of the UK, their first in their home territory for ten years. 1990 saw the band celebrating with a brand new album Whose Are These Boots a reference to Alan Silson's rather colourful and eccentric choice of footwear. 'Boots' takes the band through yet another musical dimension. Combining the very latest rock technology in the studio with ten highly original songs comprising the writing talents of every band member, resulting in a piece of work that sounds modern, progressive and fresh, yet retaining the musical elements that have allowed Smokie to stay at the top of the musical tree for many many years. Since the 'Boots' album the band have since thrilled us with 18 Carat Gold, Chasing Shadows, echoing the classic Smokie style, which has kept them firmly in the forefront of Europe and Worldwide. Having successfully completed touring Europe, Scandinavia and South Africa and a brand new live video, Smokie were well and truly back. 1993 brought the release of the album Burnin' Ambition which had huge success in Germany. 1994 brought us the ultimate album Celebration a superb album blessed with their old and latest hits, with Can't Cry Hard Enough their newest song, and a favourite with all of the band.


By 1995, Smokie were even stronger, with headlining tours booked across Europe. Tragically on their way to Dusseldorf airport the tour bus careered off the road in a freak hailstorm. There were three band members on the bus, Alan Silson, Terry Uttley and Alan Barton. Alan Silson and Terry Uttley suffered bad cuts and bruises. However, Alan Barton's injuries were so critical that after 5 days in Intensive Care, he lost his fight for life. The band had now to face the biggest crisis they had ever been through. Not only had they lost a great front man, but a very dear friend. They knew that if they didn't start work almost immediately, they never would. That meant the end of Smokie. With the help and support of fans and the media it was decided that they continue. Auditions were soon to take place. Everyone knew that it would take a very special person to follow Alan Barton. Nevertheless, there was a need to continue. Mike Craft - a friend of the band, was invited to audition and after just playing one song, the band knew that Mike was to be their new front man. It was felt that Mike had the strength and sensitivity to take the band into their next chapter. And the story continues.

The Band Today

Mike had now one of the hardest tasks for any new singer. With tours and festivals already lined up in Scandinavia and Germany he had now to give Smokie fans their first glimpse. Headlining above Joe Cocker, Wet Wet Wet, Black Sabbath, Fleetwood Mac, and stadia in excess of 30,000 Mike knew that he had to prove himself. Living Next Door To Alice (Who the F**K is Alice)featuring Roy Chubby Brown brought yet another new dimension into the bands history. First a hit for Smokie in 1976 and reaching No. 5 in the charts it is somewhat ironic that since it's re-release featuring Roy Chubby Brown in 1995, it again reached the top 5 selling in excess of 200,000 copies. During 1996, Alan Silson found it increasingly difficult to come to terms with being on the road touring around. Eventually, he made the extremely hard decision to stop touring with the band. To stand in for Alan, the band brought in Mick McConnell. Mick was quickly accepted by all the fans and has now become a firm favourite. Now the aptly named The World and Elsewhere has reached platinum in Norway and is advertised worldwide. A full tour of Germany was planned with the name The World and Elsewhere. This was a truly successful tour and after 31 days performing every night, a well-deserved rest was in order. However, with the release of a Christmas Album Light a Candle there were to be more and more promotional tours. 1997 saw the band travel to the USA, and the world capital of music, Nashville. They secured the services of renowned record producer, Barry Beckett to oversee the making of a new album. Barry was impressed with the musical and vocal talents of the band, and called in some favours from lots of writers, even the extremely talented and very famous Diane Warren. The selection of material for Smokie to work with was amazing, it was difficult to come up with the final selection of tracks, but what a selection. Wild Horses was born, an album with a strong new country-rock flavour, but the unmistakable sounds of Smokie was to make it one of the most satisfying albums the band has ever made. Wild Horses has proved to be a very popular and successful album throughout Europe, and the tracks from it are now all firm favourites with the fans. 1998 and '99 saw Smokie continue with extensive European, Russian and South African tours, making lots of new fans along the way. A newly recorded "Collection" album was released in many countries, including some 'Wild Horses' tracks and also a recording of a Smokie version of Brave New World. This album has had tremendous appeal to lots of fans in Denmark, a tour of Sweden proved to be the best selling tour by any artist for Sweden in that year. This also meant that the Swedish Collection sales exceeded 90,000 and went platinum. They also visited some new areas of the world. Ulaan Bataar, in Mongolia surprised them by it's fantastic welcome for the band and the high status they were held in. They played two sell-out nights in an open-air 25,000 capacity stadium, but amazingly, there was also another 60,000 people gathered outside of the stadium, just listening to them. as they couldn't all get tickets. South America also became Smokie territory, they played two shows in Montevideo, Uruguay, and the response from the people there amazed them, Uruguay looks like becoming a regular visit for them now. Malta was also another new venue on the Smokie tour list, and yet again another group of new fans collected in their travels. China was the next new area. They recorded a traditional Chinese folk song, but it now bears the unmistakable sound of Smokie. The Beijing concerts were a huge success and the song Nan Li Wan proved a real hit.